History
Dubstep Then… And Now
I (Katie) was looking over old photos and emails from my time in England (2004-05) the other day, which prompted me to look through a brief part of 2006 when this label was founded.
I’m a fairly sentimental person – which I fully own up to being (especially around this time of year). What amazes me, though – is how much dubstep has broke through the typical “I listen to x genre and my music is better than yours” barriers present within the electronic music scene and become so popular.
3 years ago, membership on dubstepforum.com was about 5,000. Today? 37,250. That’s impressive growth!
When I started getting into dubstep, I never imagined that it would play such a prominent role in my life. Moving to Bristol was an experience in and of itself, and to be a part of such an emerging and growing genre’s popularity while I was there? That was immense.
Moving back to the states (east coast), I paid attention to Dub War, which was at the time, the closest event to me (at over 600 miles away!). I flew up for the 1st anniversary – which was an insane experience as well as the start of some great friendships.
Dub War is a great example – the first anniversary was held at Avalon, and at the time the event was quarterly, and the crowd was small and close-knit. I attended the 4th anniversary event at Love earlier this year, and my how Dub War has grown!
WMC was another crazy experience, growing from a 50-person room at the ViRAM party in 2008 to the largest area in 2009.
We may be hard at work on ISSUE003 behind the scenes, but we’re always paying attention to why we do this. We’re a part of something much larger than ourselves, and the talent we want to expose only keeps growing as time goes on.
So here’s to looking back and seeing where we came from, as well as looking forward to see where we’ll be going.
ISSUE003 Submissions and Voting

As mentioned before, ISSUE003 is well underway.
We alluded to the fact that some things have changed in our previous posts, and here’s where you’ll notice the most difference.
Background
For ISSUE 001 and 002, the community submitted tracks for consideration by the committee, who selected the top 10 tracks. These were put up for a vote on dubstepforum.com and the top 2 tracks were released.
We learned a lot during the process of releasing 001 and 002. Some things worked, and some didn’t.
One of the major struggles with 002 was because of the success of 001. We received 200+ submissions for 002 alone, and as you can imagine, these took some time to sort through and figure out which would be put up for a vote.
Now, for typical labels, it tends to be pretty easy to sign a track. For more popular artists, the label has the option of signing them to an exclusive contract – stating (in layman’s terms) that they’ll ONLY release music on their label. Great for the label, great for the artist… but shit! That means that Pressing Issues can’t ever release music from that artist.
If the label doesn’t feel like signing the artist on to an exclusive contract, they can just sign the individual track and release that way.
Both ways are decently quick for an artist, and the label has the ability to pounce when it hears something hot.
Not Us!
For ISSUE001 and 002, we hadn’t “built in” any way to pounce on these tracks when they came through. By design the label was 100% democratic. What the public saw was the voting progressing on 10 nameless faceless tracks. Behind the scenes we knew the names and faces that belonged to which track, and we also oftentimes knew that other labels were asking to release that specific tune during the voting period.
It’s a tough position to be in as an artist, and we often encountered people who were less willing to submit their tunes for a vote by the public, as they felt it was strong enough to be released by a label without any voting. They were right in many cases, and we absolutely supported their decision to shop the tune around some, instead of submitting it for a public vote.
However, as a business, this left us in a bit of a tough position. If we came across an extra hot tune, we needed the ability to sign that tune, without breaking the model of being a democratic label (still the only one in the world…).
ISSUE003
So for ISSUE003 what you’ll see is a slight compromise. We’re still accepting track submissions, and we’re still putting up a poll for a vote. However, we’ve already signed one side of the release (and the tune is LARGE).
We have a few options which we’re still discussing. Namely, do we release 2 tracks on the AA side, in order to still have 2 votes?
This is a change from how we’ve operated in the past, and we made this decision in order to position the label for long-term success (layman’s terms: we like doing this and want to make sure we continue to put out top-notch tunes).
Every release will still be voted on, and we’re working to come to a solution for how to handle the situation in which we jump on a tune before the next public vote comes around. There are quite a few solutions possible, and we’re weighing our options.
We don’t want to become “just another dubstep label”. This label was founded by the community FOR the community, and we’re dedicated to that intention from start to finish. However, this label is a business, and we’re also concerned with making sure we can keep on existing.
Here’s where we need your opinions. What do you think of the change? Do you have any suggestions for us? Feel strongly one way or the other? Comment and let us know.
A Brief History of Pressing Issues
Once upon a time….
Ok, so it’s not like that. But we do have a cool story, and for those that are new, we want you to really see how this label started.
It all started with a post by boomnoise on dubstepforum.com. The post went something like this:

Discussion picked up and went on for a total of 9 pages, spawning numerous ideas and debates.
Some major issues quickly arose, including
- How will we select what to release?
- Who will be involved?
- How will we brand the label?
- Will we make money from this?
- Who will press and distribute the records?
Each of those questions was solved by the members of dubstepforum.com.
Highlights
It was decided almost immediately to keep this label about the community. Yes, it takes time, and no, it’s not easy to manage (it’s not meant to be…), but we strongly felt (and still feel) that the community made this project happen, so naturally all proceeds should be reinvested into the community.
Numerous forum members suggested that we look at ST Holdings for the P&D side of things, so we did and inked a contract shortly thereafter. We’re working with them again on ISSUE 003 and ISSUE004, and we hope many more after that to come.
The community came up with the idea for this label.
The community chose the committee.
The community voted on the logo.
The community donated some start-up funds to pay for things like web hosting.
The community voted on the releases.
The community bought the records.
The community did it all again for ISSUE002.
In chronological order, here are the posts:
- General Mish-Mash
- Packaging
- Budgeting
- Intros
- Committee Positions
- Status Update
- Press Materials
- Logo Discussion
- Business Plan
- Project Tool Up and Running
- Logo Competition Announcement
- Pressing Issues MySpace Page
- Logo Competition – Initial Vote
- FINAL Logo Competition Vote
- Logo Competition Winner Announcement
As you can see above, EVERYTHING was decided on by the community.
Watch, listen, vote, comment, participate, and support us as we move towards releasing ISSUE003.
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- Dubstep Then… And Now December 21, 2009I (Katie) was looking over old photos and emails from my time in England (2004-05) the other day, which prompted me to look through a brief part of 2006 when this label was founded. I’m a fairly sentimental person – which I fully own up to being (especially around this time of year). What amazes me, [...] […]
- ISSUE003 Submissions and Voting December 4, 2009As mentioned before, ISSUE003 is well underway. We alluded to the fact that some things have changed in our previous posts, and here’s where you’ll notice the most difference. Background For ISSUE 001 and 002, the community submitted tracks for consideration by the committee, who selected the top 10 tracks. These were put up for a vote on [...] […]
- Attention All DJ’s – Sonorasaurus Has Been Released! November 23, 2009We’re excited to announce that the iPhone DJ app, Sonorasaurus, is now for sale in the Apple iTunes store. (buy here) This app has received a bit of attention pre-release, including a mention on The Unofficial Apple Weblog, and a review by PI’s own Katie Morse on candidkatie.com. Sonorosaurus is a project by Pajamahouse Studios, one of [...] […]
- PI Members Cure and Hexadecibel feat. in Discorder Magazine November 18, 2009DJ Cure and Hexadecibel, two of our committee members, were recently featured in Discorder Magazine. We’re slightly bias, but we happen to think a lot of these two guys! Check out the article here – or read the article below (emphasis ours): Article text: Cure & Hexadecibel Big Bass Booming By Dashiell Brasen Cure & Hexadecibel — Art by Aisha Dav […]
- A Brief History of Pressing Issues October 27, 2009Once upon a time…. Ok, so it’s not like that. But we do have a cool story, and for those that are new, we want you to really see how this label started. It all started with a post by boomnoise on dubstepforum.com. The post went something like this: Discussion picked up and went on for a total [...] […]
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